My practice repeatedly asks the question, “Who does technology belong to?” Weaving carries domestic associations and the very word “Luddite” places weavers against technology, while simultaneously connecting historical threads toward the often forgotten fact of textiles being a key component of the development of computation both theoretically and embodied as hardware. The work of weaving light also plays into my ongoing collaboration with materials themselves. What does a material “want” to do? How does listening to the material drive opportunities for form?